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| Titel |
Just like Hendrix : whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013 |
| Auteur |
J. Schaap |
| Tijdschrifttitel |
In: Popular communication. 13(2015)4(.272-287) |
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| Trefwoorden |
culturele diversiteit, gender, etnische groepen, popmuziek, beoordeling, kunstkritiek, tijdschriftartikelen (vorm), Verenigde Staten |
Niet aanwezig in deze bibliotheek. Wel bij andere bibliotheken, zie |
Samenvatting
Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Albums by nonwhite artists tend to receive lower evaluations than those by white artists, particularly when reviewed by consumer critics. Although both types of reviewers often ignore talking about race (semi-)professional critics are more explicit and color-conscious regarding nonwhite participation in rock music. Furthermore, five different mechanisms are employed by reviewers as a part of ethno-racial boundary work: ethno-racial comparisons, inter-genre comparisons, positive ethno-racial marking, negative ethno-racial marking, and minimization. |
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