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| Titel |
Dear images : art, copyright and culture |
| Auteur |
D. McClean, K. Schubert |
| Corporatieve auteur |
Institute of contemporary arts |
| Plaats van uitgave |
London |
| Uitgever |
Ridinghouse, [etc.] |
| Jaar van uitgave |
2002
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| ISBN |
0-9541710-2-0
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| Annotatie |
503 p. : afb. 24 cm. - Met lit. opg.
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| Trefwoorden |
auteursrecht, beeldende kunst, digitalisering, nieuwe media, reproductie, creativiteit, wetgeving, auteursrechtdelicten, essays (vorm), case-studies (vorm) |
Samenvatting
A compilation of 24 specially commissioned essays with selected case material addressing the complex intersection of copyright, culture and technology, and how it affects contemporary art practice. The foreword by Philip Dodd, director of London's ICA, offers incisive comments on the contemporary debate about appropriation art emerging in the 1980s, and the increasing commercial exploitation of art. There follow four main sections. For readers unfamiliar with copyright law, the first few essays in the book's first section, 'Legal Sources', give a brief overview of the basics in the UK, EU and USA. The book's second section 'Copyright and Art' explores key features of copyright law common throughout the developed world: 'originality'; the need for laws to adapt to developments in contemporary art practice; appropriation art, and the internet. In the section on 'Authorship', the essays tackle wide-ranging issues surrounding authorship and copyright law, with historical and recent examples of artists questioning traditional notions of authorship.The final section of essays in the book, 'Bridging the Gap', looks at the original justification for copyright, its place in postmodern appropriation culture, and considers the future of copyright. |
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