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| Titel |
Careers and canvases : the rise of the market for modern art in the nineteenth century |
| Auteur |
D.W. Galenson, R. Jensen |
| Plaats van uitgave |
Cambridge |
| Uitgever |
National bureau of economic research |
| Jaar van uitgave |
2002
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| Reeks |
NBER Working Paper |
| Annotatie |
364 kb
55 p : tab., bijl. ; 30 cm
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| Trefwoorden |
kunstvakonderwijs, schilderkunst, hedendaagse kunst, beeldend kunstenaars, loopbaanontwikkeling, kunsthandel, markt, tentoonstellingen, verkoopcijfers, prijsbeleid, Frankrijk, negentiende eeuw, onderzoeksrapporten (vorm), papers (vorm) |
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Samenvatting
Paper reexamines the process by which a market for a new product (modern painting) emerged in Paris in the nineteenth century. Contrary to the accepted account, in which the monopoly of the official Salon was replaced by a competitive market operated by private dealers, the Salon was in fact initially replaced by a series of smaller group exhibitions organized by artists. The Impressionists were thus leaders not only in creating modern art, but also in developing its markets. Paper highlights specific ways in which artists' behavior was affected by the structure of art markets during the first half century of the modern era. |
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