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| Titel |
Film architecture and the transnational imagination : set design in 1930s European cinema |
| Auteur |
T. Bergfelder, S. Harris, S. Street |
| Plaats van uitgave |
Amsterdam |
| Uitgever |
Amsterdam University press |
| Jaar van uitgave |
2007
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| Reeks |
Film culture in transition |
| ISBN |
978-90-5356-984-9
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| Annotatie |
316 p. : afb. ; 24 cm. - Bibliography: p. 297-304. - Met reg.
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| Trefwoorden |
filmproductie, vormgeving, architectuur, tekenkunst, films, culturele uitwisseling, 1930-1940, Europa, Verenigd Koninkrijk, Frankrijk, Duitsland |
Niet aanwezig in deze bibliotheek. Wel bij andere bibliotheken, zie |
Samenvatting
Comparative study of European film set design in the late 1920s en 1930s. Based on designers' drawings, film stills and archival documents, the book gives insight into the development and significance of transnational artistic collaboration during this period. European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effects. Focusing on developments in Britain, France and Germany, the book provides a comprehensive analysis of the practices, styles and function of cinematic production design and its influence on subsequent filmmaking patterns. |
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