|
|
 |
| Titel |
Streaming’s effects on music culture : old anxieties and new simplifications |
| Auteur |
D. Hesmondhalgh |
| Tijdschrifttitel |
In: Cultural sociology. 16(2022)1(.3-24) |
|
| Trefwoorden |
muziek, muziekindustrie, muzieksociologie, nieuwe media, onderzoek, digitalisering, tijdschriftartikelen (vorm) |
 |
 |
Samenvatting
This article identifies five key themes, or sets of criticisms, that have emerged in online commentary on the new musical system centred on streaming platforms, and in related academic research: -Streaming encourages ‘functional’ rather than meaningful, aesthetic musical experience. -Streaming encourages bland, unchallenging music. -Streaming makes musical experience passive and distracted, and music recedes into the background. -Streaming makes music tracks and songs shorter, and musical experience more fragmented. -Streaming discourages and/or limits musical discovery and adventurousness. |
|
|
|
|