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| Titel |
Conceptual revolutions in twentieth-century art |
| Auteur |
D.W. Galenson |
| Plaats van uitgave |
New York |
| Uitgever |
Cambridge university press, National bureau of economic research |
| Jaar van uitgave |
2009
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| ISBN |
978-0-521-12909-1
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| Annotatie |
XVI, 443 p. : 23 cm. - Bibliography: p. 405-421. - Met reg.
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| Trefwoorden |
twintigste eeuw, kunstgeschiedenis, conceptuele kunst, markt, wetenschap, vernieuwing, moderne kunst, kunstenaars |
Samenvatting
The art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators - from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst - responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. This book shows the first systematic analysis of the reasons for this discontinuity.
Review in: Journal of cultural economics.34(2010)2(.155-158) |
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