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| Titel |
Transgressions : the offences of art |
| Auteur |
A. Julius |
| Plaats van uitgave |
London |
| Uitgever |
Thames and Hudson |
| Jaar van uitgave |
2002
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| ISBN |
0-500-23799-9
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| Annotatie |
272 p. : afb. ; 25 cm. - Literatuuropgave: p. 236-265
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| Trefwoorden |
aanstootgevende kunst, vrijheid van meningsuiting, beeldende kunst, schilderkunst, moderne kunst, beoordeling, beleving, Verenigde Staten |
Samenvatting
Since about the mid-19th century, artists have compulsively rejected recieved ideas in order to test and subvert morality, law, society, art itself. But what happens when all boundaries have been crossed, all taboos broken, all limits violated? History of controversial visual art since Manet's 'Le déjeuner sur l'herbe' and with examples of later works of a.o. Duchamps, Serrano, Damien Hirst, Gilbert & George, Jeff Koons and Anselm Kiefer. The modern period has been characterized by three kinds of transgressive art: an art that perverts established art rules, art that defiles the beliefs and sentiments of its audience and art that challenges and disobeys the rules of the state. |
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